A “High Chaparral” Thanksgiving
Come November, Henry Darrow’s thoughts typically turn to turkeys … and burros.
Darrow, who turned 82 in September, played Manolito in the popular 60s western television series “High Chaparral.” He recalls the memorable Thanksgiving episode, “For What We Are About to Receive,” first broadcast on NBC on Nov. 29, 1968.
“We spent that episode looking for a lost turkey that I’d won in a shooting contest,” Darrow says, from his home in North Carolina. “The bird falls off my wagon and in one scene we’re all out in the desert making various turkey sounds trying to catch it. That was a fun episode.”
Earlier in the plot, Manolito’s buckboard holding the turkey is stolen, forcing him to seek alternative transportation.
“A burro!” recalls Darrow, laughing. “I can still picture myself riding that animal – it was very boney and uncomfortable!”
Darrow appeared in all 98 “High Chaparral” episodes, as well as more than 130 film and television roles, many discussed in his 2012 autobiography “Henry Darrow: Lightning in the Bottle” co-written with Jan Pippins (see www.henrydarrowbook.com).
“High Chaparral” was one of numerous TV westerns dominating network television in the 60s.
“About 15 of the top 20 shows were westerns,” Darrow says. But the series stood out with its realistic treatment of life and conflict in the old West. “It was also the first show to feature a Hispanic family alongside an Anglo family in primetime.”
The show was created by “Bonanza” producer David Dortort, who was looking for a Hispanic actor to play Manolito.
“I got lucky when he saw me in a play,” Darrow says, whose parents were from Puerto Rico although he was actually born in Manhattan.
Darrow was a teenager when his family returned to Puerto Rico, where he studied at the university before heading back to the United States to take up acting.
“As a kid in Puerto Rico, I’d get out of school and go down to a small, local theater and for a quarter could see all the great cowboy stars like Charlie Starrett (the Durango Kid), Buck Jones, Gene Autry, and Roy Rogers,” he recalls. “Then, as a young adult, I got to play one on TV!”
Darrow says he wanted Manolito to have his own easy-going personality, but also drew on previous stage work.
“I styled him after two Shakespearian characters I played: Mercutio from “Romeo and Juliet,” which added a comedic touch, and Iago from “Othello,” which mixed a little darkness to the character. He was a free spirit!”
“High Chaparral” also starred Leif Erickson, as head of the Cannon family’s Arizona ranch, as well as Linda Cristal, Mark Slade, and Cameron Mitchell.
“Cam (Mitchell) was quite a character,” Darrow says. “He introduced me to horse and dog racing, and poker, but I learned a lot from watching him and his inventiveness on the set.”
During summer shooting on location, Darrow says ground temperatures could exceed 120 degrees. “If you got knocked down during a fight scene and brushed your skin against a rock out in the sun, it would burn you.”
Despite the heat, Darrow remembers Mitchell usually dressed in black. “Cam would jump into the horse troughs when it was hot and after dripping a bit when he got out, you couldn’t tell his black shirt and pants were wet. Very smart!”
Planning for the final banquet scene of the Thanksgiving episode, after a turkey is finally caught and cooked, Darrow remembers Mitchell saying he would serve the peas, leaving the mashed potatoes for Darrow.
“But Cam grabbed the potatoes,” laughs Darrow. “He was always doing something unexpected.”
The meal also was interrupted by neighbors and local Indians, each claiming ownership of the turkey.
“Instead of fighting, we ended up sharing the meal,” Darrow says. “It was like the first Thanksgiving all over again – a wonderfully written episode for the season.”
Nick Thomas teaches at Auburn University at Montgomery, Ala. His features and columns have appeared in more than 600 magazines and newspapers.